Le Délire Du Couturier, Bleu, Rouge, Vert
Joan Miró
Le Délire Du Couturier, Bleu, Rouge, Vert, 1969.
The Dressmaker Delirium, Blue, Red, Green (M 645).
Original lithograph in colors on Arches wove paper.
Hand-signed by Miro at the lower right and numbered at the lower left.
Full-sheet. This artwork is in excellent condition.
Professionally framed and wall-ready.
Joan Miró’s Le Délire du Couturier (The Dressmaker’s Delirium), also known as “Fashion Frenzy,” was created in 1969 and exemplifies the artist’s lifelong fascination with transforming ordinary subjects into poetic, dreamlike visions. Rather than depicting fashion or dressmaking literally, Miró dissolves the figure into an animated constellation of floating biomorphic forms, sweeping black calligraphic lines, and luminous passages of blue, red, and green.
The composition reflects his mature visual language, in which symbols replace narrative and instinct takes precedence over realism, inviting viewers to experience the work through imagination rather than logic. This period marked one of the most inventive phases of Miró’s printmaking career, when he embraced lithography as an independent artistic medium capable of achieving the same expressive spontaneity as painting.
Produced in collaboration with the legendary Maeght publishing house and printed by the renowned Mourlot Studios in Paris, Le Délire du Couturier belongs to the remarkable body of lithographs that established Miró as one of the twentieth century’s greatest printmakers. The work is cataloged as Mourlot 645, the definitive reference for Miró’s lithographs, and is further documented in the scholarly literature surrounding the artist’s collaborations with Maeght and Gérald Cramer.
Art historian Jacques Dupin observed that Miró sought to create “a language of signs” rather than illustrations, allowing abstract forms to evoke memory, movement, and emotion. In Le Délire du Couturier, the seemingly playful shapes suggest fragments of fabric, garments, or a whimsical mannequin, yet they remain intentionally ambiguous, encouraging each viewer to discover a personal interpretation.
Joan Miró – Off The Wall Gallery, Houston, Texas.
Frame size: 55 x 40 x 2 inches / 140 x 101.5 x 5 cm.
Inv #: AB5093
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